Friday, 4 April 2014
Friday, 21 March 2014
Monday, 17 March 2014
Friday, 14 March 2014
Thursday, 13 March 2014
Magazine Front Cover Research
Magazine Front Cover Research
More PowerPoint presentations from Stevie
Wednesday, 12 March 2014
Tuesday, 11 March 2014
Tuesday, 14 January 2014
Why did we change the original plot of our film?
Why did we change the plot of our film?
More PowerPoint presentations from Chloe Franklin
Other media which influenced and inspired our movie.
Influences and Inspiration
More PowerPoint presentations from Chloe Franklin
Thursday, 12 December 2013
Trailer - Survey
Trailer Survey.
1.
What is your favourite
trailer you’ve seen and why?
·
..............................................................................
·
………………………………………………………
·
……………………………………………………….
·
………………………………………………………
·
………………………………………………………
2.
Is your favourite trailer
also your favourite film?
Yes No
3.
What genre was it?
Rom-com Action Thriller
4.
Have you got an example
of a bad trailer you have seen and why didn’t you like it?
·
……………………………………………………..
·
……………………………………………………..
·
…………………………………………………….
·
……………………………………………………..
·
………………………………………………………
·
………………………………………………………
5.
Does a good trailer
encourage you to watch that movie?
Yes No
Expectations Of A Trailer - Results
Expectations of a trailer survey- results
More PowerPoint presentations from stevie smithers
Expectations Of A Trailer - Survey
Expectations Of A Trailer
Survey.
1.
Do you believe the length
of a trailer is central to the impact and appeal it has on the audience? If so
is a short or long trailer better in your opinion?
Long Short
2.
What should be included
in a trailer?
The
Plot Brief Summary Featuring Cast
3.
How much of the story
should be included in its trailer?
Brief
Intro Full Summary In detail
4.
Do you think text should
be used to create mystery and suspense?
Yes No
5.
Does music or voice overs
increase the appeal of a trailer more in your opinion?
Music Voice
Overs Both
Character Appeal and Representation - Results
Character appeal and representation results
More PowerPoint presentations from Stevie
Character Appeal and Representation Survey
Character Appeal And
Representations Survey.
1.
Does a trailer appeal to
you more if it includes familiar, well-known actors and actresses?
Yes No
2.
In a thriller are
you more enticed by a protagonist or antagonist?
Protagonist Antagonist
3.
As the viewer do you
believe a stereotypical character benefits representation in genres such as
thrillers?
4.
Are you more attracted to
a character that is represented strongly through the use of props and
mese-on-scene?
Yes No
Wednesday, 11 December 2013
Tuesday, 10 December 2013
Expectations of a romantic thriller genre - Survey
Expectations of a Romantic
Thriller Genre- Survey.
1.
Do you agree that romance
adds a positive complex element to a thriller?
Yes No
2.
As the audience would you
expect the romance of a romantic thriller to be portrayed through the use of
clichés within the trailer?
Yes No Sometimes
3.
Similar to ‘Dear John’
where in the trailer love is shown stereotypically, do you think this is a
benefit to a trailer or not?
Yes No
4.
Do you like contrapuntal music or do you feel it is more
beneficial for the audio to match the action?
Match
It Contradict Depends on Story
5.
In a thriller trailer do you think action,
romance or suspicion is most important element to be portrayed?
Romance Action Suspicion
Shooting Script
SCENE
1 - INT. LIVING ROOM - NIGHT
|
Shots
|
Shot Description
|
Audio and Dialogue
|
|
1
|
OTS + MS of
April watching the news.
|
Television report on the news.
|
|
2
|
CU of television report.
|
Television report on the news.
|
|
3
|
ECU of April’s phone.
|
Text tone; television report.
|
|
4
|
MS of April picking up her phone.
|
Television report on the news.
|
|
5
|
CU of April reading her message and smiling.
|
Television report on the news.
|
|
|
||
SCENE 2 - INT. ATTIC - NIGHT
|
Shots
|
Shot Description
|
Audio and Dialogue
|
|
1
|
LS of Riley in the attic.
|
Music.
|
|
2
|
MS of Riley in corner, looking out a window.
|
Music.
|
|
3
|
ELM + ES
of forest/woods/trees.
|
Music.
|
|
|
||
SCENE 3 - INT. TELEVISION - DAY
|
Shots
|
Shot Description
|
Audio and Dialogue
|
|
1
|
ECU of news report.
|
Television report on the news.
|
|
2
|
ECU of news report.
|
Television report on the news.
|
|
3
|
ECU of news report.
|
Television report on the news.
|
SCENE 4 - EXT. FOREST - NIGHT
|
Shots
|
Shot Description
|
Audio and Dialogue
|
|
1
|
ELS of Riley in forest, looking up.
|
Music.
|
|
2
|
LA + ES
of trees.
|
Music.
|
|
3
|
B.E.V of Riley on floor, looking up.
|
Music.
|
|
4
|
CU as camera zooms into his eyes.
|
Music.
|
RILEY’S VISION
SCENE 5 - INT. BATHROOM - NIGHT
|
Shots
|
Shot Description
|
Audio and Dialogue
|
|
1
|
OTS + MS
of someone being pushed down underwater.
|
Music.
|
|
2
|
ELM of victim’s view.
|
Music.
|
|
3
|
CU of victim dead in water.
|
Music.
|
|
4
|
CU as camera zooms into his eyes.
|
Music.
|
PRESENT DAY
SCENE 6 - EXT. LONDON - DAY
|
Shots
|
Shot Description
|
Audio and Dialogue
|
|
1
|
ES of London.
|
Music.
|
|
2
|
LS of April walking towards camera.
|
Music.
|
|
3
|
ECU of phone.
|
Music.
|
SCENE 7 - INT. DARK ROOM
|
Shots
|
Shot Description
|
Audio and Dialogue
|
|
1
|
MS of Riley tying rope and looking down at victim.
|
Music.
|
SCENE 8 – EXT. LONDON - DAY
|
Shots
|
Shot Description
|
Audio and Dialogue
|
|
1
|
ECU of April typing reply.
|
Music.
|
SCENE 9 - INT. DARK ROOM
|
Shots
|
Shot Description
|
Audio and Dialogue
|
|
1
|
CU + LA
of hanging feet.
|
Music.
|
SCENE 10 - INT. DARK ROOM
|
Shots
|
Shot Description
|
Audio and Dialogue
|
|
1
|
MS of Riley standing tense.
|
Music.
|
SCENE 11 – EXT. LONDON - DAY
|
Shots
|
Shot Description
|
Audio and Dialogue
|
|
1
|
ECU of April’s eyes.
|
Music.
|
SCENE 12 – DARK ROOM
|
Shots
|
Shot Description
|
Audio and Dialogue
|
|
1
|
ECU of Riley’s eyes.
|
Music.
|
|
2
|
HA of Riley smashing a mirror.
|
Music; glass smashing sound effect.
|
|
3
|
OS of Riley looking down into smashed mirror.
|
Music.
|
SCENE 13 – EXT. FOREST - NIGHT
|
Shots
|
Shot Description
|
Audio and Dialogue
|
|
1
|
LS of Riley running.
|
Music.
|
|
2
|
CU of April looking disappointed.
|
Music.
|
|
3
|
OS of April looking at phone.
|
Music.
|
|
4
|
MS of Riley half in shadow.
|
Music.
|
SCENE 14 – INT. ATTIC - DAY
|
Shots
|
Shot Description
|
Audio and Dialogue
|
|
1
|
ECU of April’s eyes.
|
Music.
|
SCENE 15 – INT. LIVING ROOM - DAY
|
Shots
|
Shot Description
|
Audio and Dialogue
|
|
1
|
ECU of April’s phone,
ringing.
|
Music; ringing phone.
|
Subscribe to:
Posts (Atom)